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If you were asked to pick one scene, one shot, one detail, one moment of some kind out of all the things I've written and say "This, this, for whatever reason, I remember, this is something that struck home with me, that I wanted to keep," what would it be?
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I've always thought it signifcant that Spike never bit Buffy. I think it's one of those things that Buffy doesn't really examine but in the back of her mind, it's there as significant, you know? So I liked having her confront it and actually say, "This matters to me."
I also hate, hate, hate seeing Buffy in pain, so that scene was a hard place to end it, but it was necessary, so I'm very glad it worked for you. And I like to think of Kaleidoscope as its sequel, so they get a happy ending! :D
Again, thanks so much! I really appreciate this!
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The first is the scene where Buffy finds the Dorothy Parker poem and laughs and cries and is angry all at once. I just think that's perfect. Everything about that is perfect. That DParker's morbid humor is so in sync with Buffy's, and that's exactly the type of thing Dawn would've left for Buffy--it's sort of insensitive--but still so strangely thoughtful of her. And then there's just the fact that DParker is awesome.
The second is the scene where she finds the Edna St. Vincent Millay poem. Perfect poem for that moment. And I just love this as the moment where her damn breaks--where all of that suppressed emotion bubbles up.
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I hadn't intended to include that DParker poem, but then it popped into my head and it was way, way too perfect not to put in. And yes! I thought it was so Dawn, too, for exactly the reason you mentioned!
And the Millay poem was the one the whole fic came from. I read it for the first time in college and thought, "OMG IT'S BUFFY!" and everything else fell into place from there. So I'm glad those moments worked for you. Yay fic!
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When I read Ars Poetica, I can totally see this. I picture you sort of in Buffy's place, flipping through the back your Norton's literary anthology while your professor talks about enjambment in "The Wasteland" or something, stumbling on the Millay poem--and being so much in Buffy's place--seeing their relationship in it.
For some reason that just makes that scene all the more charming for me.
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I love when a little cast-off line like that sticks with somebody. Very cool. :D
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They aren't the exact words you wrote, but this is just basically... everything. I mean I've told you more than once that I lovelovelove III, but I never thought I'd reveal to you the true extent of my creepy. If there was a list of things called "words madolyn lives by" this would be on it. towards the top. and you're probably like, "hey that's weird I was just doing my whole writing thing" but when I read that, it just really meant something to me. It's like I read it and all I could think was, this is the truth. hold on to it.
So thank you for writing that.
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I've always thought the whole "love means never having to say you're sorry" is one of the stupidest and most dangerous things I've ever heard in my life. I hate it. And I'm glad our views of love coincide in this way.
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And the real reason I commented is to ask, what is "III" to which people keep referring? I can't figure out which fic that is, although I could be missing something obvious.
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Infinitas Infinitio Infinitus. :D
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Let's go with the scene(s) in your fic that most recently just randomly occurred to me, which is the bit of Prism with Chao-Ahn. To me, the Spuffy in those scenes take a backseat to Chao-Ahn's incredible loneliness and isolation and Spike's radically changed relationship to Slayers, even Slayers that aren't Buffy. Her talking about all the things on her heart, and him listening even though he has no idea what she's saying; her working out from her dictionary what he said to her; what he said to her, and all the regret and change reflected in him saying them; the feeding of my always-hungry kink for unexpected moments of grace.
Like I say, I was just randomly thinking about this yesterday - in connection to S7, but I don't remember why. Bits from your fics just pop into my head sometimes, as yummy writing is prone to do. :)
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But seriously, that moment meant a lot to me, so I'm really, really glad it rang true for you. And yes, that's the one where the character got away from me and took over the Spuffy, honestly, but I think it needed to be that way because poor Chao-Ahn was so underdeveloped and always used as a punch line on the show and I wanted her to be more.
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And now that I've said that, I can think of a couple more:
* The line in III about how Spike and Buffy have agreed not hit each other anymore, even though they're superpowered and they could without permanent damage.
* Buffy's line (in Basiare? in that unfinished babyfic I keep referencing?) that she has trouble saying important things because "I feel like the words are too big to fit in my mouth." Both the phrasing and the sentiment have really stuck with me.
* I've said this before, but: the line in Basiare about Buffy's mission to Cleveland really just being an excuse to hang out with Faith. Because the thought of them hanging out and being BFF just makes me so happy.
* Life in the Present Tense, about Spike's soul/past weighing more heavily than anyone realizes, and the image of him falling to the ground in some alleyway, grieving over something he remembers happening there.
* Life in the Present Tense, that first section where Dawn goes into Buffy's bedroom, plops between her and Spike, and says, "Time to pay attention to me now."
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But thank you so much for your kind words, and I love that that moment worked for you. :D
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yearnsshudders to imagine what their children would be like, their homewarmmessy andalivenever quiet." I think that sums up the situation beautifully, and it's so sad. I could easily see him feeling this way in the canon of the book.no subject
I'm thrilled to death that that fic worked for you. Yay! Also: I love your icon!
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Isn't it gorgeous? I'm such a fan of the film. Even if he didn't exactly look the part, Ben Whishaw was absolutely perfect as John Keats.
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+ Of Ill-Advised Imprints and Rather Fetching Ewok Queens
I love how you used Victor in this fic. It was so perfect and wonderful and your Topher characterization was amazing. Also, the fact that you could use your Star Wars knowledge really made this story feel real. Your geek card has clearly been stamped.
+ Composition
I love the image of the bird, we talked about this idea how in Priya's dreams her soul flies free. But that imagery you put into it is so beautiful. And that small snippet about Echo bringing Priya watercolors.
+ Ars Poetica
For some reason, the Season 4 one is sticking with me strongly today! I think it's 'cause I'm in a silly mood. What I loved most was how you captured Buffy's teasing of Giles, in particular:
+ Ministers of Grace
It's odd but what I remember most about this fic (and what I love) is how I think of the lace and Drusilla's fragile mind and fragile life. I remember talking about this with you and how you hadn't really intended that, but I think symbolically maybe it worked out that way? And I love it.
There's a start! ♥
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You are wonderful. Thank you! ♥
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She still loves the laughing schoolboy with the hand-me-down robes and the mischievous grin; she will always love that boy. But she isn’t the girl she once was; she is a woman now, tested and true, and it is the man lying beside her that she is in love with—his scars, his darker eyes, his nightmares, the rasp in his voice, the gentleness in his touch, his fears, his regrets, his hopes, his love.
She’s never loved him more than at this moment.
WHAT THIS OTP DOES TO ME.
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She's never loved him more than at this moment.
*sobs of sweetest joy and relief*
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DID YOU CRY TOO?
THESE KIDS. I CAN'T.
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I LOVE THESE KIDS. I LOVE EVERYONE IN THIS BAR.
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The fact that you cared enough to cry just fills me with giddy joy. I'm so glad it spoke to you!
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MY LIFE IS COMPLETE.
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IT'S JUST. SHE LOVES HIM SO MUCH. SHE SEES HIM. SHE SEES HIM. I CAN'T.
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I KNOW RIGHT? OTP FOREVER AND EVER AMEN.