lirazel: An outdoor scene from the film Picnic at Hanging Rock ([s] clever)
lirazel ([personal profile] lirazel) wrote2012-01-26 09:45 am

thoughts on truth & responsibility in art, or, why i dislike xander harris but think he's necessary

So Mark, he of the Mark Watches blog, is now watching Buffy straight through and posting his thoughts as he goes. This has stirred up a lot of feelings in the remnants of BtVS fandom, and we’ve already talked at length about the depth of his analysis (or, more accurately, the lack thereof) and whether or not we think it’s weird that he’s making money off of basically just posting his emotional responses to a show (for the record, my thoughts are: yes, it’s weird, but I’d probably do the same thing if I had the option, so I can’t really blame him). But I wanted to talk about something I’ve seen mentioned a couple of times in passing in discussions about other aspects of his analysis, because it’s been on my mind a lot.

I can’t remember which post it was (please feel free to link me to it if you remember what I’m talking about), but someone mentioned that you almost have to watch the show in its historical context the way you would read a book written three centuries ago or something like that. Because social justice-y ways of watching the shows were not at all prominent ways of approaching these texts back then (15 years ago, more or less, which: crazy).

For instance. Someone mentioned that people nowadays have a much stronger reaction to Xander than most people did when watching the show originally. Specifically, this person mentioned the subject of slut-shaming and pointed out that the word "slut-shaming" was not in the common fan's lexicon at that point. Obviously the act of slut-shaming existed, has always existed, but the vocabulary for talking about it wasn't as accessible to most people in fandom as it is now. [Note: This doesn’t mean that people didn’t react to the shows the same way people do now—I know for a fact that the reactions to Tara’s death and to “Lies My Parents Told Me” were very profound and coming from the same place that they might now, and I imagine there were viewers who recoiled from Xander’s sexism in ways that are identical to the way someone watching today might. But the vocabulary to talk about them weren’t as prominent then, or at least not nearly as widespread. People have always approached texts with their own experiences and baggage in mind, but the idea of the average viewer as opposed to an academic approaching this show and watching it from a social justice point of view was not nearly as common as it is now. Now we kind of expect most people in fandom to at least know what we mean when we talk about these things--though we're often proven wrong, that assumption is made. People wouldn't have been as likely to assume that then.]

Now look. I will admit freely that I do not like Xander most of the time (he does have his moments). But. A great part of my fury at his character is the fact that I know guys just like him. It really is almost breathtaking the way that the writers created a character who so embodies this particular kind of guy, a kind I knew quite a lot of in high school. And I dislike Xander because he reminds me so, so much of these guys. That’s actually fantastic writing. The verisimilitude of this characterization actually blows my mind. And guess what? These guys are the kind to slut-shame. These guys are the kind of guys who hang around a girl they have a crush on hoping that he’ll be able to wear her down enough that she’ll settle for him. These guys are really, really judgmental towards women and our behavior. And I actually really appreciate that Joss and the other writers explore a character like this. The point of art is to tell the truth, and the truth is: these guys exist, and while they can be really great friends and people in some areas, they do a lot of terrible things that can feel like a punch in the gut or spitting in the face to those of us who they’ve judged or otherwise hurt. Having your own experience be recognized by art can be a powerful thing.

On the other hand, seeing that kind of behavior acted out again on a show we’re watching for entertainment when we already have to deal with in real life…that can be rough. And obviously the guys who act like this are products of a society that tells them that it’s okay to act like this. And part of that societal instruction comes from TV shows they watch to be entertained. So there’s sort of a cycle going on here.

So the question then becomes: how do you portray these facts of life and human behavior without that portrayal propagating that very behavior? We obviously can’t have our characters acting like paragons of virtue all the time (though it sometimes seems to me that some people do in fact want the characters to always behave in the correct way regarding *isms, even if they don’t care that the characters are going out and killing people or whatever. That…does not seem realistic to me personally. *isms are a huuuge part of life, and any art that is truthful has to recognize that). That would be boring, and worse, it would be untruthful. Even our heroes need to do and say things that are flat-out wrong.

But it’s easy to have Willow try to destroy the world or, more mundanely, have Willow and Xander cheat on Oz and Cordelia and have audiences know that this behavior is not at all okay. We know because it’s societally supported, because we see how much it hurts the victims (poor Oz and Cordy!), because most of us find it easy to imagine what it would be like to be the victims of this behavior (no, I do not want to do! No, I do not want to be cheated on! Obviously!). But the *isms we talk about are so, so much more insidious, aren’t they? Society at large slut-shames, so unless we’ve experienced this ourselves or have been aware of these things, mostly via education, we won’t necessarily see that behavior and immediately think, “Bad.” Moreover, most men and a lot of women aren’t used to identifying with a character who’s being slut-shamed (I know that before I got into the whole feminism thing, I certainly wasn’t. I have about as little sexual experience as it’s possible to have, and no one had ever slut-shamed me because no one has anything to slut-shame me about--not that they always need the excuse, because sometimes they don’t. So it was entirely outside the realm of my experience, and so I didn’t notice it as hurtful). So when we have someone like Warren, his misogyny is easily coded as bad because…he’s the bad guy and also because it’s extreme enough to be noticeable and repugnant to most people (he literally turns Katrina into his slave! Most decent people are going to realize how NOT OKAY that is). But how do you portray a “good” guy like Xander being incredibly sexist and not portray that as okay? Does the writer have to resort to heavy-handed preaching?

The line between these things is blurry. None of us like being preached at. But at the same time, sometimes just portraying the opposite behavior (for instance, Xander really doesn’t seem to have a problem most of the time with the idea that Buffy is in charge and is very much stronger than he is, which is a good thing) isn’t enough. It can be so, so hard, and I have sympathy for writers trying to accomplish it, because (HELLO READER RESPONSE THEORY I LOVE YOU) different members of the audience are going to react to things in completely different ways. I look at something like Dollhouse. Most people will admit that Joss was trying to critique rape culture. However, a lot of us think that he didn’t do a good job of it—that his personal squicky kinks and not-so-stellar writing (plus a lack of time to develop the stories) got in the way to the point where he mostly ended up actually perpetuating the rape culture he was initially trying to critique. Uh-oh. Not so good. But then I know other people (hello, Poco!) who think he did a great job critiquing it and find it really powerful and effective, and I think that’s an entirely legitimate response to the text.

And then, some members of your audience are just going to be horrible people. I mean, GRRM doesn’t hate on Cersei or Sansa, but goodness gracious fandom sure does (see also: Bennett, Bonnie; Summers, Dawn; et al. And writers cannot control their audiences’ reactions to their texts, as much as they may want to. When they try you end up having Samuel Richardson writing over a million words of Clarissa because people kept reading the text wrong. But no matter how many words he wrote, they kept reading it the way he didn’t want them to. Must have been frustrating, but that’s the nature of art—it doesn’t exist in any one form, it has as many forms as there are readers or viewers or listeners—a new and unique piece of art is created each time a person reads of watches or otherwise experiences that art. And that’s the joy of art, but it can also be frustrating for us as artists who want to communicate a certain thing.

[eta]: I actually forgot to say that I don't think that on the whole the BtVS writers did a good job showing Xander's behavior as problematic in the first half of the show. They do a better job later. But I still think he's a realistic and even necessary kind of character, even though they could have done a MUCH BETTER JOB in questioning a lot of his behavior within the context of the show.

So how do you do it? Well, it’s always good to have other characters call out the bad behavior. And to present the opposite behavior in a good light. It feels like a cop-out to just say “try really hard and do better next time,” but sometimes I think that’s the best advice. I think if you’re actively trying to not portray as acceptable behavior you know is wrong, most of the time you’ll pull it off. And if you don’t, you apologize and try again.

[eta:] [livejournal.com profile] eowyn_315 pointed out something else I forgot to say originally, which is that being aware of your own privilege is hugely important in this whole endeavor. A big part of my problem with Joss and his sexism comes, I believe, from his failure to examine his own privilege. We see this in Xander's depiction, in Dollhouse, etc. So you not only have to try really hard, but you also have to see yourself clearly. That's key, and I hate that I forgot to say it.

Does anyone else have any advice on this topic? It’s something I’ve been thinking a lot about the last couple of days, and sometimes it can feel like, “Oh, look, here’s another thing I have to worry about as a writer.” But I do think it’s important, so I appreciate any thoughts at all you might want to share.

And I am sure I’m leaving out something I meant to say, so don’t be surprised if this post is edited to add stuff in the future. My mind does not at all work in a linear fashion, so I usually end up leaving things out.

[identity profile] diebirchen.livejournal.com 2012-01-26 06:19 pm (UTC)(link)
Didn't mean you did. But his background of abuse is often cited as a reference point for his behavior.

[identity profile] local-max.livejournal.com 2012-01-26 06:19 pm (UTC)(link)
Oh, right, I see what you're saying. :)

[identity profile] pocochina.livejournal.com 2012-01-26 06:52 pm (UTC)(link)
Yeah. I know at least for me, my problem with fiction comes most into play when nasty things are dismissed somehow - either by by simply being disappeared without explanation for it, or by being constantly trivialized - or valorized some way or another. And by that rubric, Xander generally works fine as a construct - because the show doesn't falsely pretend he wouldn't have those issues, is called out for them with believable frequency (that is, it happens, but not often), and he does not get Macho Macho Man credit for them (and in fact his pursuit of that kind of masculinity is overtly critiqued, which so rarely happens). When a story falls into those traps, I do tend to have philosophical issues with the writing. I think you've put it very well that he's a necessary character.

So the question of liking him or not is less of an issue for me, I think. And generally, I care a lot less if I like characters than if I believe and understand them. But I do give the show a fair amount of credit for showing Xander as someone who eventually grows out of it, more or less. I acknowledge, though, that's a bit dicey, because not everyone is going to see the long-arc, most casual viewers are just going to pick up on the nasty attitudes which are in line with the nasty attitudes we're all conditioned to expect and accept. I really don't know.

[identity profile] penny-lane-42.livejournal.com 2012-01-26 06:59 pm (UTC)(link)
know at least for me, my problem with fiction comes most into play when nasty things are dismissed somehow - either by by simply being disappeared without explanation for it, or by being constantly trivialized - or valorized some way or another.

Very, very much so.

he does not get Macho Macho Man credit for them

I do love that about his characterization. Angel, on the other hand, seems to get that credit all the time, at least to my eyes.

I acknowledge, though, that's a bit dicey, because not everyone is going to see the long-arc, most casual viewers are just going to pick up on the nasty attitudes which are in line with the nasty attitudes we're all conditioned to expect and accept. I really don't know.

Yeah, this exactly. And it varies so much from person to person, too.

[identity profile] shipperx.livejournal.com 2012-01-26 07:22 pm (UTC)(link)
No advice. Just that whenever you run across a guy in fandom who starts claiming that Xander is 'just like me'... it's a sign to run.

Xander is an interesting character for all the reasons you point out. But a few of his fanboiz are really just too much.

[identity profile] penny-lane-42.livejournal.com 2012-01-26 07:27 pm (UTC)(link)
Ha! Yes, this is very true. The guy in my life who reminds me most of Xander actually wants to be like Giles, which gives me hope for him. He doesn't want to be the Xander.

[identity profile] shipperx.livejournal.com 2012-01-26 07:34 pm (UTC)(link)
Heck, he was the agreived party when Anya 'went evil' after he left her at the altar, left her to face the guests and to see to the end of the wedding, and then he arrived the next day thinking they were still boyfriend/girlfriend out of nothing but his assumptions.

[identity profile] diebirchen.livejournal.com 2012-01-26 07:35 pm (UTC)(link)
Nope -- wouldn't want Giles either, controlling, disloyal, sanctimonious twit that he is, a whited sepulcher. Good points too, I grant you, but . . .

[identity profile] shipperx.livejournal.com 2012-01-26 07:43 pm (UTC)(link)
Given the reaction to the "blackout drunk Buffy gets knocked up and doesn't know by who" reaction in fandom... a lot of people didn't and still don't get it.

[identity profile] eilowyn.livejournal.com 2012-01-26 09:03 pm (UTC)(link)
I think the point that I agree with most (and that defines the issues I have with Joss) is he doesn't check his privilege at the door. He's so concerned with making this awesome female hero character and this nice dude that is totally fine with her being the leader that he doesn't realize the privilege he gives the nice dude and how the nice dude abuses it. After reading your post I did a search on the nice guy trope, and found this post from Feministing about nice guys that describes Xander perfectly. In reading Gabs' BBB post I got physically sick at the fact that Buffy thanks Xander for not raping her, showing what a good guy he is.

The "nice guy" in the Feministing article does the same thing - he thinks that just because he wouldn't take advantage of a drunk girl he should get a cookie, as if taking advantage of drunk girls was a default behavior in men and he's so wonderful to deviate from it. NO. NOT TAKING ADVANTAGE OF DRUNK GIRLS SHOULD BE THE DEFAULT BEHAVIOR. You do not get a cookie for doing something you should be doing anyways, and this is where Xander comes in. His reputation as the "nice guy" means he gets cookies of praise from the other characters (a pet peeve of mine is when he slut-shames Buffy for having sex with Spike and then in the next episode is thanked by her for being such a good friend while she apologizes for keeping her sex life a secret from him. HER SEX LIFE IS NONE OF HIS FUCKING BUSINESS!) when he's really just doing what should be the default behavior. It speaks of how prevalent rape culture is that not raping Buffy in BBB is seen as exemplary behavior.

To shift to another topic, Anya, Spike and Cordelia are brilliantly constructed characters because they do call the protagonists out on their privilege at some points, and it feels natural and in-character. In that Spike series thing I created a socially aware, bitterly sarcastic character just so any privilege Spike gets from being the white male protagonist in a multicultural city gets called into question. I think from a writing standpoint having an outside character who can see privilege in the protagonists is the way to go, but have it embedded in characterization instead of a trait thrust upon an existing character.

I may have other thoughts later, but I have to go to the financial aid office to get some money now.

Edited: Here's an interesting Slayage article on Xander that might interest you. From the first paragraph: "But beneath the show’s progressive exterior exist situations enforcing the patriarchal society that created it. What effect does this patriarchy have, and does its mere existence prevent a text such as Buffy from representing a genuine feminist ideology? This paper will show how difficult it is, even with the best of intentions, to escape the prevailing hegemony, and more importantly, will seek to prove how the show’s apparent failings make it a better feminist text."
And it's all about how Xander undermines the feminist reading while having Xander there makes a feminist reading more realistic.
Edited 2012-01-26 21:10 (UTC)

[identity profile] eilowyn.livejournal.com 2012-01-26 09:07 pm (UTC)(link)
What an interesting perspective of LOST! I had never thought about that aspect of it in all my re-watches. Perhaps the Island exists in a vacuum without rape culture?

[identity profile] gabrielleabelle.livejournal.com 2012-01-26 09:14 pm (UTC)(link)
Yeah. I guess I'm influenced, myself. I once saw someone say that gay people didn't exist until the 80s or 90s because that's when they started seeing them everywhere.

It's made me skepto-gal.

[identity profile] penny-lane-42.livejournal.com 2012-01-26 09:22 pm (UTC)(link)
Okay, now that's just ridiculous. You can make the Foucault argument that the idea of sexual orientation didn't exist until fairly recently, sure, but the idea that gay people didn't exist at all? I can't imagine how ignorant you'd have to be to claim something like that.

[identity profile] gabrielleabelle.livejournal.com 2012-01-26 09:22 pm (UTC)(link)
Okay! Real comment now that I'm not halfway out the door!

Joss Whedon grew up with a feminist mother, so putting aside whether "slut-shaming" was common parlance at the time, Whedon was surely aware of the concept when he produced Buffy.

That being said, I'm very glad that he left it in because it makes the characters more realistic. I dislike morality plays. Whedon definitely had a feminist theme going for the show, on the whole, but he didn't weigh it down in after school special-esque didactics. Tell the story, not the message.

With the style of show Whedon was going for, it works.

I'm largely apathetic towards Xander, so his general boorishness in the first few seasons mainly leaves me with a shrug.

[identity profile] penny-lane-42.livejournal.com 2012-01-26 09:32 pm (UTC)(link)
and that defines the issues I have with Joss) is he doesn't check his privilege at the door.

Yes, yes.

In reading Gabs' BBB post I got physically sick at the fact that Buffy thanks Xander for not raping her, showing what a good guy he is

It makes me feel sick just thinking about it, too.

(a pet peeve of mine is when he slut-shames Buffy for having sex with Spike and then in the next episode is thanked by her for being such a good friend while she apologizes for keeping her sex life a secret from him. HER SEX LIFE IS NONE OF HIS FUCKING BUSINESS!)

OH I KNOW. I can't handle that. I just...don't watch that scene.

Ooooh. That Slayage article does indeed look fascinating. Thank you.

Good luck with getting the money!

[identity profile] penny-lane-42.livejournal.com 2012-01-26 09:35 pm (UTC)(link)
Whedon was surely aware of the concept when he produced Buffy.

One would certainly hope. I don't know that we can make that leap, though; you'd think that if his feminist mother's influence had really made a difference, he wouldn't so often resort to issues of questionable consent in his writings? Or perhaps he's just so secure in his identity as a "feminist guy" that he thinks he's incapable of writing anything that isn't feminist? I don't know. It's really hard to talk about him because we of course don't know what he's thinking.

I'm very glad that he left it in because it makes the characters more realistic. I dislike morality plays. Whedon definitely had a feminist theme going for the show, on the whole, but he didn't weigh it down in after school special-esque didactics.

Yeah, this was one of the things I was trying to get at. I agree, for the most part, and I absolutely think those kinds of characters are necessary.

so his general boorishness in the first few seasons mainly leaves me with a shrug.

I get really angry on behalf of the women in his life. When he's not actively pissing me off, I mostly am apathetic, too.

[identity profile] diebirchen.livejournal.com 2012-01-26 09:38 pm (UTC)(link)
Yup -- what you said. Xander is never truly brought to task on has many reprehensible behaviors. He either gets a slap on the wrist or a pass. I knew some of those types of people in high school, and I avoided them like the metaphorical plague then, as I do their older but not wiser versions now.

[identity profile] gabrielleabelle.livejournal.com 2012-01-26 09:39 pm (UTC)(link)
One would certainly hope. I don't know that we can make that leap, though; you'd think that if his feminist mother's influence had really made a difference, he wouldn't so often resort to issues of questionable consent in his writings?

Yes?

I mean, Joss is telling a story, first and foremost. The narrative comes first for him. So, yeah, he would resort to issues of questionable consent, even while having a basic feminist understanding of it. I mean, I use questionable consent in stories I write.

I don't think we can evaluate Joss' feminist learnings on the basis of his works of fictions. They're works of fiction, not a thesis.

[identity profile] penny-lane-42.livejournal.com 2012-01-26 09:56 pm (UTC)(link)
I'm not saying that he can't use them, but the fact that he uses them again and again and again and doesn't seem to recognize that this is going to be troubling to his audience and often doesn't address them in-text makes me nervous.

I don't think we can evaluate Joss' feminist learnings on the basis of his works of fictions.

His learnings? No. How deeply he holds to those learnings? I don't see why not. You give away your worldview every time you write. Someone who has really internalized ideas of the importance of consent can write a story about a lack of consent, but those internalized ideas are going to come through--or, at the very least, the opposite of those ideas aren't.

[identity profile] gabrielleabelle.livejournal.com 2012-01-26 10:04 pm (UTC)(link)
His learnings? No. How deeply he holds to those learnings? I don't see why not.

Well, yes, but we were talking about his knowledge of the concept of slut-shaming...

[identity profile] penny-lane-42.livejournal.com 2012-01-26 10:10 pm (UTC)(link)
Okay, I see what you're saying. I wasn't restricting myself to that and had branched off into whether he really thinks about slut-shaming. So that explains that.

[identity profile] notemily.livejournal.com 2012-01-26 10:53 pm (UTC)(link)
Yeah, I think my big problem with Xander's early behavior is that we don't get to see the harm that it does, we don't get to see very many consequences for the way he behaves, etc. Everyone just rolls their eyes at his slut-shaming comments and goes on with the episode, which gives the message that his comments are harmless. I definitely think it would be unrealistic to have Xander never be sexist, but he's one of the "good guys" of the show, and I don't like when he does awful things and nothing in the show calls him out on it or makes him face any consequences.

[identity profile] diebirchen.livejournal.com 2012-01-26 11:07 pm (UTC)(link)
My point entirely, which to my way of thinking, doesn't qualify him as a "good guy."

[identity profile] penny-lane-42.livejournal.com 2012-01-26 11:12 pm (UTC)(link)
Yup. I'm totally with you on this.the show definitely could have done a better job at portraying his actions as problematic though, admittedly, I do think (generally speaking), it does a better job with critiquing that behavior later in the series.

[identity profile] frelling-tralk.livejournal.com 2012-01-27 12:14 am (UTC)(link)
I still think he's a realistic and even necessary kind of character, even though they could have done a MUCH BETTER JOB in questioning a lot of his behavior within the context of the show.

That was always my biggest issue with his character. Xander just personifies the "nice guy" that the show couldhave done an awesome job of deconstructing. Even before Caleb and Warren, the high school years gave us Larry learing "thank you thigh master" and looking up a girls skirt to give you the more extreme example of what a sexist creep some guys can be, yet the show never called Xander on his jokes to his friend Buffy about how he would love a lapdance from her (BBAB) or trying to peek at her changing (NKABOTFD). Instead it's practically presented as some cute guys will be guys moment, even though Xander was doing the exact same thing that the show happily called jocks like Larry out for doing, and if anything it was even worse coming from Xander when he knew Buffy as his friend and was still sneaking peeks in a mirror when she trusted him in her bedroom

Nor did the show call him on his insults to Cordelia, instead they were generally presented from Xander's POV as though he were delivering an Oh Snap moment to the girl that was mean to them, but there were plenty of other insults he could have brought up other than "marketing hooker wear", "locker-room talk" and so on. Not to mention in Phases when he's fretting over Willow/Oz and how guys in bands are only after one thing, Cordelia scoffs that she's dated plenty of guys in bands (with the implication that you're making too big a deal out of this/they're not like you see them at all), and Xander responds "thank you" in all seriousness as if she's proving his point that guys in bands are only after one thing and that's why many of them have have dated a girl like Cordelia. At least I don't know how else we were supposed to take that little exchange?!? It wasn't even one of Xander's planned zingers meant to hurt her, it just came across so casual like that's actually how he sees Cordelia and he has no respect for her at all. So gross

LOL Sorry, this turned into way too much of a rant, but yeah that was my issue when the show wanted to presented Xander as some kind of role model to the guys in the audience (or so Joss has apparently said?), and the writers seemed to seriously believe he was some great friend to Buffy. Yeah he might have had her back when it counted, but he constantly judged her personal life and and acted like a really crappy friend while the show seemed to think we would take the exact opposite impression away from moments like the Into The Woods speech or Seeing Red reconciliation scene, as if we were meant to take it as sweet that he took such a creepy and invasive interest in Buffy's personal life

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