The opening with Eliza and Olivia—very, very intriguing. I was severly dissapointed at how much she was bringing an almost "Faith-ness" to this part. And then I kept thinking, "AH It's Faith! The later years!" Only because she mentioned something about how'd she mess something up just like "she" always said she would. She kept me thinking Buffy which kept me thinking Faith which lapsed over into the beautiful Joss-verse which ... *drools* ... What?

Eliza, put your helmet on! You don’t want to mess up that pretty face, do you? Dude! I DIDN'T GET WHY SHE DID THAT! *panics*

The sets had me gah-gah and drooling. It looks so deliciously spa like, but brings back th eold firm look of Wolfram and Hart.

Zen = anything.

I noticed that too! But I hate the sort of season two and three Bones credit they pulled, with just shots of the lead(s) and support cast in the backround. *sighs* A bit dissapointed.

The on,ly part of the credits I really enjoyed was the end. The sort of mystic chiming.

Olivia Williams would totally be the Coredlia/Angel/Giles figure in this series. If we meshed them together into her awesome kick-ass-ness. =D

There are a lot more actives than I thought there would be running around in the Dollhouse. Well it is a DOLLhouse. *giggles*

Amy Acker's character is totally intruiging. I didn't get that it was a scar at first. I thought it was a whisp of hair until Eliza Dusku's character touched her face. *facepalm* But you're right. She has a Fred qualit to her. In a more emotinally and physically calming way. She's subtly interesting. (and did I mention the hair? BECAUSE TEH HAIR IS TEH AWESOME!)

“Something more extreme. Something more specific. Something perfect.” Awesome line. "You have everything. You want something more."
It's so ... pun completely intended, perfect.

I know, I didn't get that either. At first, it elasped from Sierra, to him, so I jumped to the conclusion that it was one of her memories watching him kick ass (how extremely terrifyingly hott) but then it kept jumping back and forth which sort of ruined it a bit for me, but meh.

THAT KICK WAS KICKASS!!! IT BRINGS ME BACK TO THE GREAT COREOGRAPHY!!!!! And not only did I have to rewatch it to see if it was either his fist or his actual foot, I almost fell out of my chair is so happy for me!

I really, really like Boyd already. He's like the conflicted Giles to her Buffy. *sighs*

I nearly cried hearing dear Edward's name. Joss is down to eart. (haha, bad pun)

I loved that whole explanation. Of the wipe of people and surging them into other's. It's so complex, it's simple. It's like a detail sketch plan. like ... creating a character and mindlessly turning them into someone else. It's fantastic.

Topher = Guy who makes all the motivational speeches.

“She also has asthma.” There’s no way that isn’t going to be important. Dude. Don't ever assume that. Everything has importance in Joss-world! *huffs*

TAHMOH taking pictures of a dude who'll he'll hold a gun to! *iz giddy* He's gonna be so fucking kick-ass in this.

I TOLD YOU THERE WAS IMPORTANCE TO THE ASTHMA!!!

Ha! Victor and Paul in the bathroom! Is there a secret innuendo in there?

ASTHMA!
'You can't-GASP-fight a-GASP-ghost"
Oh dramatic affect.

I was wondering that too. It's a deeper complex thing. Was this the thing Caroline was refering to when she was ranting all frantic in the begining?

Boyd and Olivia Williams's character are on the same level of kick-ass-ness. Predictions of tons of headbuttingness are in their future. *sighs* His whole premise about coutnering what she said earlier:
"We Help People"
And he totally switched it up. "Let Echo help this girl."
I LOVE HIM!!!

Huh. If the memory-girl killed herself, how did they get ahold of her memories?I didn't really get that either. Was it like a Dumblodore type thing where he abstracted it before she totally went wacko?