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i've said it before and i'll say it again:
You know what is hard?
Plot is hard.
Characters are easy and setting is super easy and big! emotional! moments! and awesome tiny details are easy, but the actual this-happens-and-then-this-happens is haaaaaaaaaaaaard. FANFICTION, YOU AND YOUR LOVELY ONE-SHOTS HAVE RUINED ME.
This...has been a post.
Plot is hard.
Characters are easy and setting is super easy and big! emotional! moments! and awesome tiny details are easy, but the actual this-happens-and-then-this-happens is haaaaaaaaaaaaard. FANFICTION, YOU AND YOUR LOVELY ONE-SHOTS HAVE RUINED ME.
This...has been a post.

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but really every time I have ever had a story with characters I loved and sweeping concepts I adored and Big Significant Things to say or just Cool Stuff to do, what kept me from actually writing them all? PLOTTTTTTTTTTT. >:(
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I do not know. But I want to live in their brains for a while and figure it out.
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I always ask myself questions. If I know the end point in the character's journey and I know the beginning, I ask myself what would this character do to get to there? Or what catalyst could I introduce to get to this point?
It's kinda like chess-meets-chemistry. You have to anticipate all these independent and dependent variables, imagining how they'll interact and combust and transform. You're enough in control that the plot doesn't run away from you, but loose enough on the reins that the characters come alive and drive the plot rather than the plot driving them.
IT'S HARD. Lol tho I haven't done much of any writing in what feels like forever. I wrote Cesare/Lucrezia flashfic. That is all.
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But seriously, that's good advice. My problem comes when I have the characters and setting (I loooove setting. Love it) and little details...but I don't know what the central conflict is. Like, Buffy has vampires to kill. The Doctor and his Companions travel through time and save people. But when I can't even get that basic premise, I have such a hard time figuring out where to start. *sob*
I NEED TO CATCH UP ON THE BORGIAS. I AM LIKE THREE EPISODES BEHIND. BUT I LOVE LUCREZIA AND CESARE TOO MUCH TO DESCRIBE AND I WANT TO READ YOUR FIC.
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My favorite way of visualizing it is to think of it as horseback riding. Only it's a sport in which you first create the horse (your characters as the living animal, the setting as terrain) and then you tap your heels against the horse's flanks. Essentially, to steal River's perfect words, you "watch us run."
For me, plot comes from two places: what kind of story do I want to tell, and what would these characters naturally do (be true to the characters). My two stories that have a lot of plot started from two very basic ideas: 1) Season 8 needs Spuffy -- how do I make it Spuffy ==> TYSK; and 2) great love in fic doesn't need nc-17 to be powerful ==> chivalry + feminism ==> Fin Amour.
That question is my starting point and once I know what the story is about (what am I trying to say, what's my driving impulse), I then look to my characters to see how they'll run that race.
But when I can't even get that basic premise, I have such a hard time figuring out where to start. *sob*
I KNOW. It's so so so hard. I feel like the answer is already there, it just hasn't floated to the surface yet, but you'll find it.
AND YES CATCH UP PLEASE SO WE CAN FLAIL TOGETHER!!!
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It's so so so hard. I feel like the answer is already there, it just hasn't floated to the surface yet, but you'll find it.
YES. YES.
I will catch up shortly! I downloaded both episodes last night!
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YAY THEY'RE BOTH SO GOOD
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I haven't seen POC yet, but can we talk about how BEAUTIFUL the people in your icon are? How can two human beings be so pretty? I want to see it just so I can ship that haaaaard.
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My advice: download POTC4 and just watch their scenes. There's a decent cam version floating around out there, and the movie itself isn't worth the ticket price. But these two, man. THESE TWO.
(Did you ever see Pillars of the Earth? The guy- Sam Claiflin- was in it, albeit as a minor character. It's quality. You should check it out.)
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but feelings can't take up fifteen hundred words! What are they going to do in the meantime?
This is exactly my issue.
Download it is, then. I only care about those two anyway. THEY ARE SO AWESOME ALREADY.
I didn't! I have it on my to-watch list, and I've meant to check it out, but I haven't yet. But a pretty boy means it moves up a spot on the list.
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1. What does the protagonist want?
2. What prevents the protagonist from getting what they want?
3. What must the protagonist do to get #1 in the face of #2?
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♥
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I feel allll your pain. Yes.
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Plot-Schmot
I LOVED writing all the dialogue and trying to get the characters right. I loved all the internal monologues, and expressing feelings and showing the relationships between everyone, and having telling little details like body language and facial expressions. THAT was fun. I could write 15k of dialogue for Spike alone.
But the plot?! I have no clue how to end the story in anything other than a completely clichéd way. Why is it so hard? Is it true that there are no new ideas or plots out there?! Has everything been done before? But other people make it look so easy!! I think I have to do a James Joyce and write in some rambling stream of consciousness style where plot does not matter. But who wants to read that?
I need a Plot 101 class, now!
Re: Plot-Schmot
I LOVED writing all the dialogue and trying to get the characters right. I loved all the internal monologues, and expressing feelings and showing the relationships between everyone, and having telling little details like body language and facial expressions. THAT was fun
These are the things I love so much as well!
But other people make it look so easy!!
I know! I wish I could hate them! I will take the 101 class with you. *sigh*
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I feel your pain.
*kicks plot in the shin*
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*joins in kicking*