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Y'all, I cannot stop thinking about The Testament of Ann Lee, which I saw last Thursday at our incredible local indie theater. I think it’s going to end up being one of my favorite films.
A movie about a religious figure that presents someone with true faith without winking at the audience all, “you know how dumb it is to believe this”??? When was the last time I saw that? Neither I nor the filmmakers believe what Ann Lee believed, obviously, but there’s no doubt she believed it, and the film respects that. It’s honestly a hagiography in a way that you usually only see historically for Catholic saints? But it’s such an inspired way to approach this story? So stylized and gorgeous? But also sincere?
A film about a woman who finds her meaning and satisfaction in her spirituality and religious vocation? Whose main relationship is with her understanding of God? Yes please!!! (Her second most important relationship is with her brother, which was equally moving.) When she sings, "I hunger and thirst for true righteousness," I believe her. That's what she wants! Not a romance, not a family, not standing in society, not money or power or anything else. (Though she does end up having a certain amount of power and I think she really loves having it. People contain multitudes!) I can't remember seeing a mystic portrayed onscreen like this before? (I am the opposite of a mystic, but I have always been very fascinated by mystics, especially women mystics, so I dug this.)
Amanda Seyfried is mind-blowing. Casting of all time. It’s rare that I see a performance and I think, “No one else could have ever possibly played this role.” I often think, “No one else could have ever played this role like this,” but I almost never think, “No one else could have played it period.” But I feel that way about her. Her face, her voice (her voice!!!), her range! Goodness gracious. I’m in awe.
THE MUSIC and the dancing! Using the original Shaker hymns but updating them with really unexpected production was a genius move, and the choreography really felt like a kind of religious rapture. I know that the Shakers’ dancing didn’t look like that, but it I am positive that it felt like that. I have had the soundtrack on repeat since I walked out of the theater. Fuck me UP, Daniel Blumberg! I will have to seek out more of his music because it was really genius.
The film was also visually gorgeous, especially when it leaned into the Shaker aesthetic in the last third (it also made me want to go back to Shakertown, which I haven't visited since high school). I know that aesthetic had not really emerged during Ann Lee’s life, so it was technically historically inaccurate, but it does not matter because that kind of beauty found through extreme simplicity and order was absolutely the manifestation of Ann Lee’s teachings, so it was entirely appropriate to have it onscreen. Choosing the spirit of history over the letter.
I really loved how much of the script was direct quotes from the first-hand Shaker accounts from the early 19th century. And the places where it diverged from historical fact all made sense.
The speculation on why Ann Lee might have insisted on celibacy seems to have been drawn from Nardi Reeder Campion (as, again, is some of the language of the script), and I think it was entirely appropriate. I personally like to think that Ann Lee was just so asexual that she started a religion about it, but yeah, the trauma thesis is a strong one.
I just kind of can't get over how perfectly tailored this film was to my interests and priorities? Ann Lee's life was difficult and painful in many ways, so it's not an easy film to watch. But I was swept away by it I want to rewatch it again and again. I wish I could see it in the theater again, but it's already left here, alas.
This is how you make an unconventional, artsy period piece. I’m enraptured.
I know other people did not react to this movie in the way I did--there are people who hated it, people who have a lot of complaints about it--but f you like: stories about unconventional historical women, religious faith treated seriously but not at all polemically, unorthodox approaches to the musical genre, beautiful but slightly unnerving music and dance, films that lean into their own weirdness without being weighed down by it…you should watch this movie. Preferably in a theater, but if you can’t swing that, any other way.
If you do see it, come back and tell me what you thought. Even if it doesn't work for you, I would love to read your thoughts about why because I know I can trust y'all to be thoughtful!
A movie about a religious figure that presents someone with true faith without winking at the audience all, “you know how dumb it is to believe this”??? When was the last time I saw that? Neither I nor the filmmakers believe what Ann Lee believed, obviously, but there’s no doubt she believed it, and the film respects that. It’s honestly a hagiography in a way that you usually only see historically for Catholic saints? But it’s such an inspired way to approach this story? So stylized and gorgeous? But also sincere?
A film about a woman who finds her meaning and satisfaction in her spirituality and religious vocation? Whose main relationship is with her understanding of God? Yes please!!! (Her second most important relationship is with her brother, which was equally moving.) When she sings, "I hunger and thirst for true righteousness," I believe her. That's what she wants! Not a romance, not a family, not standing in society, not money or power or anything else. (Though she does end up having a certain amount of power and I think she really loves having it. People contain multitudes!) I can't remember seeing a mystic portrayed onscreen like this before? (I am the opposite of a mystic, but I have always been very fascinated by mystics, especially women mystics, so I dug this.)
Amanda Seyfried is mind-blowing. Casting of all time. It’s rare that I see a performance and I think, “No one else could have ever possibly played this role.” I often think, “No one else could have ever played this role like this,” but I almost never think, “No one else could have played it period.” But I feel that way about her. Her face, her voice (her voice!!!), her range! Goodness gracious. I’m in awe.
THE MUSIC and the dancing! Using the original Shaker hymns but updating them with really unexpected production was a genius move, and the choreography really felt like a kind of religious rapture. I know that the Shakers’ dancing didn’t look like that, but it I am positive that it felt like that. I have had the soundtrack on repeat since I walked out of the theater. Fuck me UP, Daniel Blumberg! I will have to seek out more of his music because it was really genius.
The film was also visually gorgeous, especially when it leaned into the Shaker aesthetic in the last third (it also made me want to go back to Shakertown, which I haven't visited since high school). I know that aesthetic had not really emerged during Ann Lee’s life, so it was technically historically inaccurate, but it does not matter because that kind of beauty found through extreme simplicity and order was absolutely the manifestation of Ann Lee’s teachings, so it was entirely appropriate to have it onscreen. Choosing the spirit of history over the letter.
I really loved how much of the script was direct quotes from the first-hand Shaker accounts from the early 19th century. And the places where it diverged from historical fact all made sense.
The speculation on why Ann Lee might have insisted on celibacy seems to have been drawn from Nardi Reeder Campion (as, again, is some of the language of the script), and I think it was entirely appropriate. I personally like to think that Ann Lee was just so asexual that she started a religion about it, but yeah, the trauma thesis is a strong one.
I just kind of can't get over how perfectly tailored this film was to my interests and priorities? Ann Lee's life was difficult and painful in many ways, so it's not an easy film to watch. But I was swept away by it I want to rewatch it again and again. I wish I could see it in the theater again, but it's already left here, alas.
This is how you make an unconventional, artsy period piece. I’m enraptured.
I know other people did not react to this movie in the way I did--there are people who hated it, people who have a lot of complaints about it--but f you like: stories about unconventional historical women, religious faith treated seriously but not at all polemically, unorthodox approaches to the musical genre, beautiful but slightly unnerving music and dance, films that lean into their own weirdness without being weighed down by it…you should watch this movie. Preferably in a theater, but if you can’t swing that, any other way.
If you do see it, come back and tell me what you thought. Even if it doesn't work for you, I would love to read your thoughts about why because I know I can trust y'all to be thoughtful!
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If you're going to break a no-streaming rule, this is a good one to break it for!
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I feel that your reaction, considering your background, will be particularly interesting.
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