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random sinners thoughts:
+ love letter to southern american music. we love to see it.
+ finally some recognition that the southern us has always been culturally and racially diverse--the black/white binary dominated and still dominates most thinking about race, but there have always been people who don't fit into either category. having chinese, choctaw and mixed-race people more accurately reflects the time and place than most stories with similar settings.
+ the dobro is one of my favorite instruments ever and i hope this movie inspires a million people to start playing it
+ finally a movie that's filmed in Real Locations and knows to use cgi for necessary effects and not for the whole world. the production designer should win every oscar. as should the costume designer.
+ The Scene was one of the best scenes i've seen in cinema. like. wow. yes. that's what movies are for.
+ wtf was up with using "wild mountain thyme" though that song is from the '50s????
+ honestly the irish picks were pretty low-hanging fruit and something more obscure would have been more interesting but “rocky road to dublin” is a banger of a song so i’ll let it pass
+ having the white trio play the world’s whitest version of a geeshie whiley song was a genius move (and that one! with those lyrics!)
+ so proud of michael b. jordan in my heart he'll always be vince all grown up
+ michael b. jordan and hailee steinfeld got top billing, but this was sammie's story. miles caton, i'm excited to see what you'll do!
+ lovely to see wunmi mosaku, who i have liked since in the flesh, getting such a great role. she's otherworldly beautiful.
+ i am always happy to see hailee steinfeld
+ delroy lindo!!!
+ i thought it was pretty cool how jack o'connell kept going in and out of that irish accent--added texture to the character
+ can chris eyre or somebody make a movie about the choctaw characters? it's tragic we lost jeff barnaby a few years back--he would have been awesome at that.
+ a bunch of people left when the credits started, and i feel sorry for them
+ rhiannon giddens on the soundtrack! honestly i would have side-eyed them if she hadn't been
+ i always think that i don't like horror movies but i think i need to admit to myself that i do like them, i just prefer them to be period pieces
+ the amount of time we had for set-up before the revelations of what kind of world we're actually operating in was excellent and not something i expect to see in 2025
+ the dialogue was layered enough that i feel like i'm going to keep picking up new little details on subsequent rewatches
+ in short: that was a Movie and i love a Movie
+ love letter to southern american music. we love to see it.
+ finally some recognition that the southern us has always been culturally and racially diverse--the black/white binary dominated and still dominates most thinking about race, but there have always been people who don't fit into either category. having chinese, choctaw and mixed-race people more accurately reflects the time and place than most stories with similar settings.
+ the dobro is one of my favorite instruments ever and i hope this movie inspires a million people to start playing it
+ finally a movie that's filmed in Real Locations and knows to use cgi for necessary effects and not for the whole world. the production designer should win every oscar. as should the costume designer.
+ The Scene was one of the best scenes i've seen in cinema. like. wow. yes. that's what movies are for.
+ wtf was up with using "wild mountain thyme" though that song is from the '50s????
+ honestly the irish picks were pretty low-hanging fruit and something more obscure would have been more interesting but “rocky road to dublin” is a banger of a song so i’ll let it pass
+ having the white trio play the world’s whitest version of a geeshie whiley song was a genius move (and that one! with those lyrics!)
+ so proud of michael b. jordan in my heart he'll always be vince all grown up
+ michael b. jordan and hailee steinfeld got top billing, but this was sammie's story. miles caton, i'm excited to see what you'll do!
+ lovely to see wunmi mosaku, who i have liked since in the flesh, getting such a great role. she's otherworldly beautiful.
+ i am always happy to see hailee steinfeld
+ delroy lindo!!!
+ i thought it was pretty cool how jack o'connell kept going in and out of that irish accent--added texture to the character
+ can chris eyre or somebody make a movie about the choctaw characters? it's tragic we lost jeff barnaby a few years back--he would have been awesome at that.
+ a bunch of people left when the credits started, and i feel sorry for them
+ rhiannon giddens on the soundtrack! honestly i would have side-eyed them if she hadn't been
+ i always think that i don't like horror movies but i think i need to admit to myself that i do like them, i just prefer them to be period pieces
+ the amount of time we had for set-up before the revelations of what kind of world we're actually operating in was excellent and not something i expect to see in 2025
+ the dialogue was layered enough that i feel like i'm going to keep picking up new little details on subsequent rewatches
+ in short: that was a Movie and i love a Movie
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I know I would love all the rest of it, esp the jazz and blues.
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I did see some interesting analysis of this one on Tumblr.
Anyway: WHAT a movie. I'm obsessed with, among other things, the way it cut together different things happening simultaneously/the flashbacks/flashforwards; that can be so cheesy when done badly but worked so well here.
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I have thoughts!
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Something crossed me mind, when I looked behind
No bundle could I find upon me stick a wobblin'
Enquiring for the rogue, said me Connaught brogue
Wasn't much in vogue on the rocky road to Dublin
[. . .]
The boys of Liverpool, when we safely landed
Called meself a fool, I could no longer stand it
Blood began to boil, temper I was losing
Poor old Erin's isle they began abusing
- which fits perfectly with Remmick's story being one of leaving his ancestral home behind and losing the ties he had to his culture. And Wild Mountain Thyme is also about leaving home - "I will roam the country o'er / Through that dark land so dreary / And all the spoils I find / I'll bring to my darling dearie." Literally bringing "spoils" back from your travels. It all ties in.
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It may have just been low hanging fruit (did they actually realize they were using newer elements?) but I kind of like to fanwank that Remmick is infected by whatever Sammy was doing and he's able to channel music across time because of his proximity to Sammy...even more obvious anachronism might have been cool in that context!
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I kind of like to fanwank that Remmick is infected by whatever Sammy was doing and he's able to channel music across time because of his proximity to Sammy...even more obvious anachronism might have been cool in that context!
I love that! An excellent fanwank!
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The music was SO good. Re: the Irish music specifically, have you read this piece digging into the choice of songs? https://reactormag.com/lets-talk-about-the-irish-music-in-sinners/
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Everything just felt so thoughtful, and coming from a place of sincerity, and we need mainstream movies like that more than ever.
Indeed!
I have not read that but it looks really interesting! Thank you for linking!