lirazel: Evelyn from The Mummy stretches to reach a book on a far bookshelf while balancing on a ladder ([film] proud of what i am)
lirazel ([personal profile] lirazel) wrote2024-09-04 04:32 pm

what i'm reading wednesday

What I finished:

+ The Collected Ghost Stories, M.R. James, which I talked about last week. I feel like he got weirder as he got older. Glad I read them, probably won't seek out anything else of his (though maybe that was all of his stories? Unsure).

+ The Bone Key by Sarah Monette. Enjoyed this a lot! A collection of short stories about a painfully awkward archivist stumbling into the paranormal. I liked that it started out with a finding aid, though I was like, "Where are the dates????" And I think she should have included dates, because for the first few stories, I had NO idea when these stories were set. I was thinking it was fairly contemporary (like late 90s/early 2000s?) and I kept having to move my estimate of time period back a few decades. It took me like four stories before I finally figured out that they were set in, like, the late 20s/early 30s? I think? Just commit to a time period, Ms. Monette, and quit trying to be coy!

But other than that, I thought they were fun. I liked our main character, I liked the Museum he works at, I liked the weirdness he dealt with. Honestly I would read three more collections about the same character having still more paranormal adventures.

When I was done, I was like, "I dig this person's style, I should see what else they wrote." The m/m romantasy books on that account didn't look all that appealing to me AND THEN I FIGURED OUT THIS WAS KATHERINE ADDISON'S REAL NAME.

Speaking of which:

What I'm currently reading:

The Angel of the Crows because I wanted more of the same writer, but...I am not sure about this book. I'm just not sure what the...point of a fairly straightforward retelling of Sherlock Holmes only this time with supernatural creatures is. It's not different enough from the Holmes stories to really grab me, though there are some tantalizing worldbuilding details around the edges (always here for a reference to Deseret!). Perhaps as I get further along, I will change my mind.

I think retellings of works of literature are really hard to do well. Like, obviously many people have written great retellings of fairy tales, folklore, legends, etc. But all the retellings of novels, etc....very few of them work for me. For every Clueless, there are a zillion stories that are either too much like the original--a retreading that makes me think, "Why would I read this version of Pride and Prejudice when I could just reread Pride and Prejudice, which is superior in every single way?"--or so far from the source material that you wonder why the writer didn't just write something wholly original.

I do think that cross-medium retellings work better--Clueless, obviously, but also I enjoyed Nothing Much To Do, etc. It's also possible to take the vibes of something--say, Jane Eyre--and just incorporate them into something completely new--Emily of New Moon. But a book that's a retelling of another book...that rarely works for me.
dollsome: (austen | 😱)

[personal profile] dollsome 2024-09-04 09:34 pm (UTC)(link)
I think retellings of works of literature are really hard to do well. Oh man, YEAH. I feel especially aware of this now that retellings have become so marketable (in our revival/reboot/never-let-a-piece-of-IP-die, let's-capitalize-on-fanfic's-popularity age) that they're absolutely everywhere. I love a retelling that sort of feels like you discover some retelling is happening in the process of experiencing it -- like Rebecca with Jane Eyre, for example -- rather than a retelling that's trying to draw you in from the get-go with the fact that it's a retelling.
dollsome: (Default)

[personal profile] dollsome 2024-09-04 11:29 pm (UTC)(link)
Yeah, I think I lean more toward being a fan of the "inspired by" stories in that context! I agree that fairytales/folklore/etc. are much more suited to retellings due to all the room still left in that concept for originality.
elperian: un: wicked_signs [lj] (merlin morgana plotting)

[personal profile] elperian 2024-09-04 09:41 pm (UTC)(link)
But a book that's a retelling of another book...that rarely works for me.

This tracks for me - which I find funny considering how much I enjoy fanfiction, but maybe there's something about the publication process and selection effects on what stories get published that I'm just "meh" in response to, or something along those lines.
chestnut_pod: A close-up photograph of my auburn hair in a French braid (Default)

[personal profile] chestnut_pod 2024-09-04 09:51 pm (UTC)(link)
It's so fun to watch people figure out the SM/KA connection :D
sawthefaeriequeen: (Default)

[personal profile] sawthefaeriequeen 2024-09-05 01:30 am (UTC)(link)
I think her Labyrinths (?) books look pretty iddy, if that’s the romantasy you’re talking about. Tried to get into them a couple of times, but I’m still not sure if they’re for me.

Have you read Witness for the Dead? Maybe you’ll fare better with it, if you’re looking for second-world Holmes-like fare. Thara Celehar is my new favorite frazzled wet cat of a man.
dolorosa_12: (library shelves)

[personal profile] dolorosa_12 2024-09-05 12:54 pm (UTC)(link)
I agree with you 100 per cent about retellings. I love fairytale, mythology and folktale retellings, and cross-medium retellings often end up being some of my very favourites (Clueless, as you mentioned, but also 10 Things I Hate About You, which is one of my favourite films) — but I keep trying print novel retellings of classic novels, and they never work for me.
rekishi: (Default)

[personal profile] rekishi 2024-09-05 04:17 pm (UTC)(link)
ah yes, Sarah Monette. I really am on the fence there. The Melusine series went downhill FAST after the first book (the first was pretty good?).

So basically I never touched anything under any name again. But i do keep hearing good things about the goblin emperor books so............ I'm very on the fence.