One million percent agree about Code Name Verity, I sobbed for the last 50 pages and loved every moment of it. Also the SMILE at the end of The Untamed holy shit.
Here are some other books with endings I particularly loved. Mostly not talking specific details so there aren't complete spoilers here, but there are definitely some.
The Duke Who Didn't, by Courtney Milan - I love how it avoids doing the traditional romance novel thing of including a final-act Thing That Breaks Apart The Couple before the happy ending! That trope can be a well-done part of a romance arc but it shouldn't have to be necessary for all such narratives, and I love the way this one subverts that expectation.
The Wolf and the Girl, by Aster Glenn Gray - the notes it ends on are just so perfect for the book it is, and that's all there is to say!
Sing for the Coming of the Longest Night, by Iona Datt Sharma and Katherine Fabian - the character who is the Present Through His Absence quest object throughout most of the book appears in person at the end, and that can be a difficult thing for a book to handle because there is so much built up about the character that it can be hard to live up to, but when you finally meet him at the end, he's exactly right for everything you've heard about him while still being not quite what was expected, and it's so satisfying.
Verdigris Deep, by Frances Hardinge (also published as Well Witched) - this one is actually impossible to spoiler as far as I can tell. It's the kind of book that I personally find very stressful so I kept on flipping to the ending to try to reassure myself of how the latest aspect of the narrative would resolve so I could keep reading. So by the time I got to the ending, I'd already read the end 4 times. And yet it is written in such a way that I still didn't actually understand everything about the end until I reached it properly, so a major aspect of the ending was still a surprise! It's a truly impressive feat of writing. It's a very good ending too iirc.
Brother Cadfael's Penance, by Ellis Peters - it's the last book in a 20-book detective series, and it actually gives the detective-monk character a character arc of his own instead of overseeing other people's character arcs like the previous books, and it does SUCH a good job with it, I had so many feelings and it was the perfect ending after having spent so much time with him over the course of the series.
Frontier Wolf, by Rosemary Sutcliff - does such a cool thing with its main character's growth arc, where at the beginning of the book there's a big decision he has to make and he decides wrongly and it results in tragedy for a lot of people and derails his entirely life....and then at the end he's in a situation where he has to make exactly the same kind of decision again, and the right decision is to do exactly what he did last time, and he does it. I don't think I've ever seen that kind of thing done before with the ending of a book and I love it, it works SO well.
Island of Ghosts, by Gillian Bradshaw - it just does some really good things tonally; the main character has achieved the goals he had in this book, beyond anything that could have been hoped, but that doesn't mean that everything is actually GOOD. there's joy to be had, but there are sorrows still as well, and life goes on with both. I just really appreciated that as the right thing to do with the kind of book this was.
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Here are some other books with endings I particularly loved. Mostly not talking specific details so there aren't complete spoilers here, but there are definitely some.
The Duke Who Didn't, by Courtney Milan - I love how it avoids doing the traditional romance novel thing of including a final-act Thing That Breaks Apart The Couple before the happy ending! That trope can be a well-done part of a romance arc but it shouldn't have to be necessary for all such narratives, and I love the way this one subverts that expectation.
The Wolf and the Girl, by Aster Glenn Gray - the notes it ends on are just so perfect for the book it is, and that's all there is to say!
Sing for the Coming of the Longest Night, by Iona Datt Sharma and Katherine Fabian - the character who is the Present Through His Absence quest object throughout most of the book appears in person at the end, and that can be a difficult thing for a book to handle because there is so much built up about the character that it can be hard to live up to, but when you finally meet him at the end, he's exactly right for everything you've heard about him while still being not quite what was expected, and it's so satisfying.
Verdigris Deep, by Frances Hardinge (also published as Well Witched) - this one is actually impossible to spoiler as far as I can tell. It's the kind of book that I personally find very stressful so I kept on flipping to the ending to try to reassure myself of how the latest aspect of the narrative would resolve so I could keep reading. So by the time I got to the ending, I'd already read the end 4 times. And yet it is written in such a way that I still didn't actually understand everything about the end until I reached it properly, so a major aspect of the ending was still a surprise! It's a truly impressive feat of writing. It's a very good ending too iirc.
Brother Cadfael's Penance, by Ellis Peters - it's the last book in a 20-book detective series, and it actually gives the detective-monk character a character arc of his own instead of overseeing other people's character arcs like the previous books, and it does SUCH a good job with it, I had so many feelings and it was the perfect ending after having spent so much time with him over the course of the series.
Frontier Wolf, by Rosemary Sutcliff - does such a cool thing with its main character's growth arc, where at the beginning of the book there's a big decision he has to make and he decides wrongly and it results in tragedy for a lot of people and derails his entirely life....and then at the end he's in a situation where he has to make exactly the same kind of decision again, and the right decision is to do exactly what he did last time, and he does it. I don't think I've ever seen that kind of thing done before with the ending of a book and I love it, it works SO well.
Island of Ghosts, by Gillian Bradshaw - it just does some really good things tonally; the main character has achieved the goals he had in this book, beyond anything that could have been hoped, but that doesn't mean that everything is actually GOOD. there's joy to be had, but there are sorrows still as well, and life goes on with both. I just really appreciated that as the right thing to do with the kind of book this was.